Storytime
school library Rozas
The Tales of Trebizond Maga "
by Beatriz Montero
C / Juan Barjola (Las Rozas, Madrid)
Time: 18h Child Public
Friday, March 25, 2011
Wednesday, March 23, 2011
Causes Of Perfume Taste In Mouth
Bebecuentos in Madrid Madrid storytelling
"The Ark of Noah", Beatriz Montero
Storytelling for children 1 to 3 years.
Limited capacity.
Registration from 7 - 14 / 3,
lot of places: 15 / 3
Wednesday 23 / 3, 17.30 and 18.00 h
Library Claudio Maximiliano Rodriguez Avenue Leek
of Tell, s / n
San Sebastian de los Reyes, Madrid
Thursday 24 / 3, 17.30 and 18.00 h
Central Library Plaza de Andrés Caballero, 2
San Sebastian de los Reyes, Madrid
"The Ark of Noah", Beatriz Montero
Storytelling for children 1 to 3 years.
Limited capacity.
Registration from 7 - 14 / 3,
lot of places: 15 / 3
Wednesday 23 / 3, 17.30 and 18.00 h
Library Claudio Maximiliano Rodriguez Avenue Leek
of Tell, s / n
San Sebastian de los Reyes, Madrid
Thursday 24 / 3, 17.30 and 18.00 h
Central Library Plaza de Andrés Caballero, 2
San Sebastian de los Reyes, Madrid
Tuesday, March 22, 2011
Miley Cyrus Big Boobs
03
with the show "Tales from the Maga Trebizond"
C / Caribbean Sea, 9. (Madrid) Metro
Parque de Santa María.
Time: 18pm.
Time: 18pm.
Sunday, March 20, 2011
How To Change Batteries In Inova
International Storytelling Day / World Storytelling Day In Madrid
March 20
Happy day of stories for everyone.
International Storytelling Network
www.cuentacuentos.eu Eugenio Recuenco Photography
Saturday, March 19, 2011
Dry Patches On My Body
02
Continuing with the tales in Madrid. Today I find
library Moralzarzal
with the show "Tales from the Maga Trebizond"
C / Rondón, 12. Time
11:30 h.
Continuing with the tales in Madrid. Today I find
library Moralzarzal
with the show "Tales from the Maga Trebizond"
C / Rondón, 12. Time
11:30 h.
Friday, March 18, 2011
Ketoconazole How Long Should
Today I will be in Leo Tolstoy Library (Las Rozas)
the spectacle of stories:
"Tales of Trebizond Maga"
C / Octavio Paz, 2. Las Rozas.
Time: 18pm. Public
child and family.
Thursday, March 17, 2011
Kates Playground - Free
La Revuelta en festival universitario-Colombia
http://eventos.uniandes.edu.co/descripcion_evento.php?id_evento=452
1st Theatre Festival of Los Andes - The revolt
April 13, 2011, 7:00 pm Auditorium
ML B (354, below)
Revolt University of Colombia
Director: Jorge Prada Prada
Assistant Director: Ivan Camilo Davila
The Faculty of Arts and Humanities, Theatre Workshop and the Cultural Center of the Student Dean's office presented the 1st Theatre Festival of Los Andes. In this meeting of university theater, which will be held from 4 to April 16, 2011, will take place works of theater groups at universities Autónoma de Colombia, the Free Theatre Convention - Central University, St. Thomas, INCCA, Los Libertadores, Javeriana and Los Andes. Similarly, Fernando Montes offer a training workshop on acting and drama there will be lectures by Amalia Iriarte, Ricardo Camacho and Hugo Hernan Ramirez, professors from the Department of Humanities and Literature. Finally, the band will perform a concert Mmodcats way of closing the Festival.
On this occasion, we invite you to work the revolt, in charge of farce, drama group at the Autonomous University of Colombia. In this epic tragedy, written by Santiago Serrano in 1984, show passion, betrayal and represent la violencia al de un pueblo sojuzgado history, en el que un caudillo en firearms rises. La una señal work of so many Revolutions bankrupt.
Information: centrocultural@uniandes.edu.co
April 13, 2011, 7:00 pm Auditorium
ML B (354, below)
Revolt University of Colombia
Director: Jorge Prada Prada
Assistant Director: Ivan Camilo Davila
The Faculty of Arts and Humanities, Theatre Workshop and the Cultural Center of the Student Dean's office presented the 1st Theatre Festival of Los Andes. In this meeting of university theater, which will be held from 4 to April 16, 2011, will take place works of theater groups at universities Autónoma de Colombia, the Free Theatre Convention - Central University, St. Thomas, INCCA, Los Libertadores, Javeriana and Los Andes. Similarly, Fernando Montes offer a training workshop on acting and drama there will be lectures by Amalia Iriarte, Ricardo Camacho and Hugo Hernan Ramirez, professors from the Department of Humanities and Literature. Finally, the band will perform a concert Mmodcats way of closing the Festival.
On this occasion, we invite you to work the revolt, in charge of farce, drama group at the Autonomous University of Colombia. In this epic tragedy, written by Santiago Serrano in 1984, show passion, betrayal and represent la violencia al de un pueblo sojuzgado history, en el que un caudillo en firearms rises. La una señal work of so many Revolutions bankrupt.
Information: centrocultural@uniandes.edu.co
http://eventos.uniandes.edu.co/descripcion_evento.php?id_evento=452
Saturday, March 12, 2011
A Film Treatment Template
The Secrets of Storytelling in EDUCARM
The website of the Ministry of Education, Murcia, Spain, EDUCARM , selected "The secrets of storytelling " Ed CCS as a book of the week. An honor. Thanks.
The website of the Ministry of Education, Murcia, Spain, EDUCARM , selected "The secrets of storytelling " Ed CCS as a book of the week. An honor. Thanks.
Friday, March 11, 2011
Zeb Atlas And Mark Dalton
Carnival caranval ....
I was counting them in the Children of the Rosary School. A big kiss for parents, grandparents and kids who were there.
Wednesday, March 9, 2011
How To Fix Thick Poofy Hair On A Guy
Shed of the Arts celebrates 10 years of history with many presentations
MY TOWN SHOW DAY 20 , SUNDAY AT 10: 30 AND 17: 30
In the scenario, every aspect of city life is questioned as part of this building, capturing the child's perception about the city: the natural landscape, transformed landscape, housing, transportation , work, school, leisure. Parallel to the construction of this city, was accompanied by the birth and growth of the individual. Besides the two actors, the production features puppets, shadow theater and live musicians. CLASSIFICATION
FREE
DECRIPOLOU TOTEPOU OF 21 TO 25 MARCH 2009 TO: THE MORNING 30 H
The piece uses the tradition of storytelling. Flag is a playful self-walking around telling stories. In one of her stops, she finds herself with a terrible "pain Doll" which prevents it to perform its function. Here comes Mr. Brooks - an old friend, bringing a revenue of amazing blues. Cured flag following his joke with the audience. CLASSIFICATION
FREE
NO HUMOR IN THE WAR AS A DAY MARCH 25 TO 20 HOURS
Comedy HUMOR IN THE WAR AS Dot coming of Culture Arts Shed, reports everyday situations that are themed patchwork of contemporary life with the bias Prejudice, politics, history of Brazil, and the mysteries in human neuroses presenting a strong dose of humor. The text is from Victor Ribeiro Lima, directed by Charlone Cabral and Production Consulting Cultural Actions.
In the scenario, every aspect of city life is questioned as part of this building, capturing the child's perception about the city: the natural landscape, transformed landscape, housing, transportation , work, school, leisure. Parallel to the construction of this city, was accompanied by the birth and growth of the individual. Besides the two actors, the production features puppets, shadow theater and live musicians. CLASSIFICATION
FREE
DECRIPOLOU TOTEPOU OF 21 TO 25 MARCH 2009 TO: THE MORNING 30 H
The piece uses the tradition of storytelling. Flag is a playful self-walking around telling stories. In one of her stops, she finds herself with a terrible "pain Doll" which prevents it to perform its function. Here comes Mr. Brooks - an old friend, bringing a revenue of amazing blues. Cured flag following his joke with the audience. CLASSIFICATION
FREE
NO HUMOR IN THE WAR AS A DAY MARCH 25 TO 20 HOURS
Comedy HUMOR IN THE WAR AS Dot coming of Culture Arts Shed, reports everyday situations that are themed patchwork of contemporary life with the bias Prejudice, politics, history of Brazil, and the mysteries in human neuroses presenting a strong dose of humor. The text is from Victor Ribeiro Lima, directed by Charlone Cabral and Production Consulting Cultural Actions.
THE REVOLT DAY MARCH 26 TO 20 HOURS The show
THE REVOLT , the dramatist Argentinian Santiago Serrano is directed by Jadenilson Gomes. The cast: Charlone Cabral, John William, Lucas Rafael, Tarcisio Queiroz and Jadenilson Gomes. The spectacle of the tragic genre shifts the audience an atmosphere that wavers between love and hate. Malva, the central character, unfriendly and stuck to the throne of misery and power tries to manipulate everyone he meets. Thus generating an incredible game of vengeance and justice, where the pieces end up being people's own family environment, explains the director Jadenilson Gomes.
THE REVOLT , the dramatist Argentinian Santiago Serrano is directed by Jadenilson Gomes. The cast: Charlone Cabral, John William, Lucas Rafael, Tarcisio Queiroz and Jadenilson Gomes. The spectacle of the tragic genre shifts the audience an atmosphere that wavers between love and hate. Malva, the central character, unfriendly and stuck to the throne of misery and power tries to manipulate everyone he meets. Thus generating an incredible game of vengeance and justice, where the pieces end up being people's own family environment, explains the director Jadenilson Gomes.
Saturday, February 26, 2011
Fondant Recipe Cake Boss
traditional Y modernity: Tecnología y en la creación crafts ELDORADO
Traduttore-traditore: Santiago Serrano
This text
Eduardo Okamoto
February 20, 2011
Traduttore-traditore: Santiago Serrano
This text
is motivated by the launch of our new site design and want to reflect on the use of computer technologies and some of its possible influence on the Performing Arts. Here, as in my previous post, I use excerpts from my doctoral work in Performing Arts at UNICAMP.
The experience of using computer technology in the service of human exchange relationships, these being the foundation of theatrical language, had already been experienced by me before publication of this new site. At the beginning of my research, when the team was small and I organized the production, one of my first tasks was to create my own site. Yo, I have no training in technology (except Japan that my genetic heritage, joke friends, I easily pushed to this area), I was alone, with the help of the item "Help" own production software websites producing my own virtual territory. From this site, I enter my show presentations at the international level (Spain, Switzerland, Morocco, Kosovo) and established many contacts unexpected. Imagine: A site that was about the work of a Brazilian who was a single show on the condition of street children in order to register in China, across the world. Santiago Serrano
playwright of "Eldorado", also was surprised by the disclosure of his work for the web. Your page, also created by himself, recorded over 80,000 hits from around the world. This enabled his texts were assembled in distant places of residence: USA, Mexico, Spain, France, Bulgaria, Brazil and so on.
can say that the process creation of the show "Eldorado" was earned largely on the virtual communication. Initially, the first photographs and videos of rabequeiros - folk artists that inspired the work - were removed from the internet. Met by this means many rabequeiros actually never found beyond the virtual space.
Notwithstanding the possibility of virtual tours, encounters sensed, dreamed realities of the Internet possible also encounters from life to life, when in Iguape and Cananéia rabequeiros and builders met personally rabeca. Field research was only possible because consulted before Campinas from where I live, the site of the Living Museum do Fandango. The website showed me a circuit of visits to homes and classrooms fandangueiros popular artists. This ensured success in meeting with these artists on a journey with its own resources - and therefore necessarily fast, because I could not for a long time away from my workplace and had no means to pay for a long stay in those cities.
is to say that during his own field research I was surprised with the use of technology by the artists of popular tradition. I refer not only to the techniques each uses to create his own art (the knowledge generated for each play or build an instrument to your own personal style.) I refer also to the use of elements of postmodernity.
"Seu Benedito Nunes Iguape, for example, proudly showed me his rabeca brought and pressed" one chip "(referring to a sensor), allowing a quick connection to the table and the amplifier. Besides that, today, the search for videos on YouTube has a lot of rabequeiros and demonstrations that the rabeca is included. There is even rabequistas teachers who have their own area on the website MySpace, which is characterized by the presence of works of art, especially music.
"Tradition" is "postmodern" as he anticipated important features of the scholarly production of culture (For example: The non-specialization among actors, dancers and singers. feature of contemporary actors), and does not leave out the technology to create waves increasing and more intense human relationship.
Finally, by surfing the web, I could still get to Buenos Aires, a city that I know personally and establish a joint work with Argentine playwright. If I get carried away by the many fables possible, finally, I invited anyone who lived away from home to travel with me. Thus, I not only allowed me atravesar them for the realities invented, sino también con otro intentaba encontrarme that the su propia sus fabulaba time journeys. Con Eldorado el encuentro learned that draws on diverse resources to succeed.
The experience of using computer technology in the service of human exchange relationships, these being the foundation of theatrical language, had already been experienced by me before publication of this new site. At the beginning of my research, when the team was small and I organized the production, one of my first tasks was to create my own site. Yo, I have no training in technology (except Japan that my genetic heritage, joke friends, I easily pushed to this area), I was alone, with the help of the item "Help" own production software websites producing my own virtual territory. From this site, I enter my show presentations at the international level (Spain, Switzerland, Morocco, Kosovo) and established many contacts unexpected. Imagine: A site that was about the work of a Brazilian who was a single show on the condition of street children in order to register in China, across the world. Santiago Serrano
playwright of "Eldorado", also was surprised by the disclosure of his work for the web. Your page, also created by himself, recorded over 80,000 hits from around the world. This enabled his texts were assembled in distant places of residence: USA, Mexico, Spain, France, Bulgaria, Brazil and so on.
can say that the process creation of the show "Eldorado" was earned largely on the virtual communication. Initially, the first photographs and videos of rabequeiros - folk artists that inspired the work - were removed from the internet. Met by this means many rabequeiros actually never found beyond the virtual space.
Notwithstanding the possibility of virtual tours, encounters sensed, dreamed realities of the Internet possible also encounters from life to life, when in Iguape and Cananéia rabequeiros and builders met personally rabeca. Field research was only possible because consulted before Campinas from where I live, the site of the Living Museum do Fandango. The website showed me a circuit of visits to homes and classrooms fandangueiros popular artists. This ensured success in meeting with these artists on a journey with its own resources - and therefore necessarily fast, because I could not for a long time away from my workplace and had no means to pay for a long stay in those cities.
is to say that during his own field research I was surprised with the use of technology by the artists of popular tradition. I refer not only to the techniques each uses to create his own art (the knowledge generated for each play or build an instrument to your own personal style.) I refer also to the use of elements of postmodernity.
"Seu Benedito Nunes Iguape, for example, proudly showed me his rabeca brought and pressed" one chip "(referring to a sensor), allowing a quick connection to the table and the amplifier. Besides that, today, the search for videos on YouTube has a lot of rabequeiros and demonstrations that the rabeca is included. There is even rabequistas teachers who have their own area on the website MySpace, which is characterized by the presence of works of art, especially music.
"Tradition" is "postmodern" as he anticipated important features of the scholarly production of culture (For example: The non-specialization among actors, dancers and singers. feature of contemporary actors), and does not leave out the technology to create waves increasing and more intense human relationship.
Finally, by surfing the web, I could still get to Buenos Aires, a city that I know personally and establish a joint work with Argentine playwright. If I get carried away by the many fables possible, finally, I invited anyone who lived away from home to travel with me. Thus, I not only allowed me atravesar them for the realities invented, sino también con otro intentaba encontrarme that the su propia sus fabulaba time journeys. Con Eldorado el encuentro learned that draws on diverse resources to succeed.
Daughter In Underwear
Tenerife Carnival in Madrid Proceedings III
Saturday February 26 Villaverde Maria Moliner Public Library.
(C / Villalonso, 16. Villaverde, Madrid)
11:30 am-12:30 pm Children Storytelling "A bag of stories."
Saturday February 26 Villaverde Maria Moliner Public Library.
(C / Villalonso, 16. Villaverde, Madrid)
11:30 am-12:30 pm Children Storytelling "A bag of stories."
Friday, February 25, 2011
Tractor Birthday Cake
II Actions in Madrid in Madrid I
Friday, 25 February Library Las Matas (Plaza José Prat s / n. Las Matas, Las Rozas)
18h-19h. Child Storytelling "A bag of stories
20h-21h. Adult Storytelling Tales flamenco air.
gang Reminder: bring the goblin;)
Graciela Photography Guffanti
Friday, 25 February Library Las Matas (Plaza José Prat s / n. Las Matas, Las Rozas)
18h-19h. Child Storytelling "A bag of stories
20h-21h. Adult Storytelling Tales flamenco air.
gang Reminder: bring the goblin;)
Graciela Photography Guffanti
Thursday, February 24, 2011
Hair Salon New Client Letters
Proceedings XXI
Back in Madrid, sharing stories.
Thursday February 24 Francisco Umbral Library (C / Las Norias, 39. Majadahonda ).
Back in Madrid, sharing stories.
Thursday February 24 Francisco Umbral Library (C / Las Norias, 39. Majadahonda ).
- 18pm. Child Storyteller's Tales of Trebizond Maga. "Recommended Age: For children over 4 years. Polivalente. (By invitation).
- 19:30 h-20: 30. Workshop-conference" The secrets of storytelling " for mature audiences. Polivalente.
Tuesday, February 22, 2011
Messages For A New Born
Oral Storytelling Festival "has Agüimes" in photos.
After one of those wonderful breakfast with orange juice, coffee and croissants at the café in the square.
inaugural function (left to right): Workshop
jugglers, Beatriz Montero, Mercedes Carrión, Maísa Marbán, Antonio López.
Closing Festival (from left to right and top to bottom):
Shop jesters, Antonio Lozano, Hamadoun Tandina, Cristina Verbena, Aldo Mendez, Mercedes Carrión Catherine Pineda, Beatriz Montero, Francis and Maria Carmen. All great.
Counting "Prince capricious", a story of mine, with support from the pop-up book red dot .
Agüimes The XXI Festival included the presence and participation of two extraordinary writers. Germano Almeida García Márquez known as Cape Verde, who made a beautiful presentation of his novels, and Enrique Paez , writer and specialist courses in creative writing, who taught a writing workshop as seen in the photo above, with full quota of twenty people. A wonderful workshop.
That bons tempos, which Lembranças boas.
Festival was great to share with Maísa Marbán and Germano Almeida. Both made a beautiful presentation of the novels of Germano. A penalty may not be the last weekend.
And as a final surprise I found Ayose and cousin who came to the theater to hear stories Agüimes the book "The secrets of storytelling" under his arm.
All photos by Enrique Paez.
All photos by Enrique Paez.
Monday, February 21, 2011
Wedding Cakes With Tulips Flowers
of Tradition and Modernity: Technology and craftsmanship in creating "ELDORADO"
Eduardo Okamoto
20 de febrero 2011
http://www.eduardookamoto.com/2010/?tag=espetaculo-eldorado
This text is motivated by the launch of our new site layout and reflects on the use of information technology and some possible influences on the Performing Arts. Thus, as the previous post, adapting parts of my doctoral work in Performing Arts at UNICAMP. To access the thesis in full, click here.
The experience of use of information technology the service of human relations of exchange, and these tell if the foundation of theatrical language, I had experienced before the publication of this new site. Early in my research, when the team's work was little and I even organized the activities of production, one of my first tasks was to create my own site:. I, who have no training in technology (except the Nipponese genetics that play friends, pushes me to ease into this area), I was alone, with the help of the topic "Help" from the software production sites, producing my own virtual territory. The From this site, just to schedule presentations international (Spain, Switzerland, Morocco, Kosovo) and I made many contacts unexpected. The site is a work Brazilian, who has long presented a spectacle as the only work on street children, came to record hits even in China, across the world.
Playwright Santiago Serrano, of Eldorado, also expressed surprise at the disclosure of his work on the web. Your page, also created by itself, accounts for more than 80,000 hits from around the world. This enabled her writings were assembled in distant places of residence: USA, Mexico, Spain, France, Bulgaria, Brazil, etc..
Tell yourself that the process of creating the show "Eldorado" availed himself largely of virtual communication. Initially, the first photographs and videos rabequeiro - the popular artists that inspired the work - were removed from the Internet. I met many rabequeiro that I never actually met.
Notwithstanding the possibility of invented travel, meetings sensed, dreamed of the realities, the Internet also encounters from life to life, when in Iguape and Canaanite, and met rabequeiro fiddle builders personally. The field research was only possible because I consulted even before from Campinas, where I live, the site of the Museum of Living Fandango. The web showed me a circuit visiting houses of popular artists and salons fandangueiros. This ensured success in meeting with these artists on a trip with their own resources - and therefore necessarily fast as I could not stay away long from other workplaces and could not even afford a long stay in those cities.
This means that, during the actual field survey surprised me with the use of technology by the artists themselves from the popular tradition. I refer not only to the techniques that each uses to create his own art (the knowledge that each one generates to play an instrument or construct its own way). I refer also to the use of expedients of postmodernity.
Your Benedito Nunes, Iguape, for example, showed me proud that his fiddle brought already built a "chip" (referring to a pickup), which allowed a fast connection to the table and amplifier. Also today, the search for videos on YouTube website shows a lot of rabequeiro and demonstrations in which the fiddle is inserted. There is, indeed, master fiddler who have their own area on the website MySpace, which press for the sharing of artistic works, especially music.
Tradition is postmodern: important references anticipated production of classical culture (this is the case, for example, one of the hallmarks of active contemporary, whose work is guided by the expertise of non-actors, dancers and singers) and does not open up the technology for create waves getting bigger and more intense human relationship.
Finally, by surfing the net, I could still get to Buenos Aires, a city that I do not know personally and establish a partnership with the Argentine playwright. If I get carried away by the many fables possible, finally, I asked someone who lived far from my home to travel with me. Thus, I do not just let me go through the realities or invented, but he also sought to go through another, which also storied their own journeys. "Eldorado", I learned, is meeting that draws on various resources to occur.
The experience of use of information technology the service of human relations of exchange, and these tell if the foundation of theatrical language, I had experienced before the publication of this new site. Early in my research, when the team's work was little and I even organized the activities of production, one of my first tasks was to create my own site:
Playwright Santiago Serrano, of Eldorado, also expressed surprise at the disclosure of his work on the web. Your page, also created by itself, accounts for more than 80,000 hits from around the world. This enabled her writings were assembled in distant places of residence: USA, Mexico, Spain, France, Bulgaria, Brazil, etc..
Tell yourself that the process of creating the show "Eldorado" availed himself largely of virtual communication. Initially, the first photographs and videos rabequeiro - the popular artists that inspired the work - were removed from the Internet. I met many rabequeiro that I never actually met.
Notwithstanding the possibility of invented travel, meetings sensed, dreamed of the realities, the Internet also encounters from life to life, when in Iguape and Canaanite, and met rabequeiro fiddle builders personally. The field research was only possible because I consulted even before from Campinas, where I live, the site of the Museum of Living Fandango. The web showed me a circuit visiting houses of popular artists and salons fandangueiros. This ensured success in meeting with these artists on a trip with their own resources - and therefore necessarily fast as I could not stay away long from other workplaces and could not even afford a long stay in those cities.
This means that, during the actual field survey surprised me with the use of technology by the artists themselves from the popular tradition. I refer not only to the techniques that each uses to create his own art (the knowledge that each one generates to play an instrument or construct its own way). I refer also to the use of expedients of postmodernity.
Your Benedito Nunes, Iguape, for example, showed me proud that his fiddle brought already built a "chip" (referring to a pickup), which allowed a fast connection to the table and amplifier. Also today, the search for videos on YouTube website shows a lot of rabequeiro and demonstrations in which the fiddle is inserted. There is, indeed, master fiddler who have their own area on the website MySpace, which press for the sharing of artistic works, especially music.
Tradition is postmodern: important references anticipated production of classical culture (this is the case, for example, one of the hallmarks of active contemporary, whose work is guided by the expertise of non-actors, dancers and singers) and does not open up the technology for create waves getting bigger and more intense human relationship.
Finally, by surfing the net, I could still get to Buenos Aires, a city that I do not know personally and establish a partnership with the Argentine playwright. If I get carried away by the many fables possible, finally, I asked someone who lived far from my home to travel with me. Thus, I do not just let me go through the realities or invented, but he also sought to go through another, which also storied their own journeys. "Eldorado", I learned, is meeting that draws on various resources to occur.
Eduardo Okamoto
20 de febrero 2011
http://www.eduardookamoto.com/2010/?tag=espetaculo-eldorado
Best Hair Color For Rosacea
La Orotava Crearte announces the contest for youth. Counting
Works shall refer the award is chosen, indicating Contest CREARTE "and specifying" Young Urban Night "or" Young Art in the Street 2011. "
be submitted by mail to the following address: Hon. City of La Orotava, Youth Information Centre, C / Tomas Perez, n º 3, 38300, La Orotava, Santa Cruz de Tenerife, or e-mail to juventud@villadelaorotava.org .
only one prize will be awarded an amount of 150.00 € to each of the winning posters.
Each person may bring a maximum of two original, unpublished and not any other contest winners in each of the proposed activities.
The theme and composition of the work will be referred to the activities object of the contest: "Young Urban Night" and "Young Art in the Street 2011. Only be used as a design technique and presentation, digital format (jpg or tif) with enough resolution for later playback. In the work must include the logos identifying the City of La Orotava, which will be facilitated by the Youth Information Centre each participant, and the place, date and time for completion of those activities.
Deadline: March 4 to work on the poster for "Young Urban Night" and June 24 for work on the poster for "Youth Art in the Street."
More information continues: juventud@villadelaorotava.org
The City of La Orotava, again called the competition to design posters of activities "Young Urban Night" and XII Feria de Arte Joven en la Calle 2011. Participation in this competition all interested young people aged between 14 and 35 years inclusive.
Works shall refer the award is chosen, indicating Contest CREARTE "and specifying" Young Urban Night "or" Young Art in the Street 2011. "
be submitted by mail to the following address: Hon. City of La Orotava, Youth Information Centre, C / Tomas Perez, n º 3, 38300, La Orotava, Santa Cruz de Tenerife, or e-mail to juventud@villadelaorotava.org .
only one prize will be awarded an amount of 150.00 € to each of the winning posters.
Each person may bring a maximum of two original, unpublished and not any other contest winners in each of the proposed activities.
The theme and composition of the work will be referred to the activities object of the contest: "Young Urban Night" and "Young Art in the Street 2011. Only be used as a design technique and presentation, digital format (jpg or tif) with enough resolution for later playback. In the work must include the logos identifying the City of La Orotava, which will be facilitated by the Youth Information Centre each participant, and the place, date and time for completion of those activities.
Deadline: March 4 to work on the poster for "Young Urban Night" and June 24 for work on the poster for "Youth Art in the Street."
More information continues: juventud@villadelaorotava.org
Friday, February 18, 2011
Dune Buggy For Sale In Ontario
Storytelling Festival 2011 in Puerto de la Cruz
Storytellers are fashionable, like both boys and older and the culture of the City area of \u200b\u200bPuerto de la Cruz has noticed. So they have submitted the Storytelling Festival of Puerto de la Cruz. So from 16 to 19 February at the Castillo San Felipe, we desfrutar of stories for the whole family.
Storytellers are fashionable, like both boys and older and the culture of the City area of \u200b\u200bPuerto de la Cruz has noticed. So they have submitted the Storytelling Festival of Puerto de la Cruz. So from 16 to 19 February at the Castillo San Felipe, we desfrutar of stories for the whole family.
Thursday, February 17, 2011
New Bingo Pinball For Sale
"With an air of flamenco" at the Theatre of Realejos (Tenerife)
Friday, 18 February 21 hours-Casa de la Cultura (Los Realejos)
BEATRIZ MONTERO with the show "With air flamenco"
Guffanti Grace Photography.
On Saturday 19 February, in this room, telling stories Aldo Mendez (Cuba) with his show "Tales from the memory."
Friday, 18 February 21 hours-Casa de la Cultura (Los Realejos)
BEATRIZ MONTERO with the show "With air flamenco"
multidisciplinary show that combining two ancient arts: storytelling and the art of flamenco.
The dancing body does see the poetic word of its existence. This show reflects the creative maturity and the mark that the storyteller has left in its fifteen years of stage work.
Guffanti Grace Photography.
On Saturday 19 February, in this room, telling stories Aldo Mendez (Cuba) with his show "Tales from the memory."
Wednesday, February 16, 2011
Watch Family Guy Iphone
Storytelling in the V storytelling
Family audience.
Admission free. Please be punctual.
For more information: 928 806 776 / 920 805 595
Children's Library: C / La Inés 1, Arrecife (Lanzarote)
Feb. 18: at 18:00 Children's Library
Maricarmen Manoli and February 19 at 11:00 - Children's Library
Mercedes Carrión
The Department of Culture, Hon. Reef City Council, through the Network of Municipal Libraries Reef and within its program Reading Promotion. In collaboration with the XXI International Congress of Oral Storytelling Festival Agüimes is planning the V Meeting of Oral Narration Reef, which will take place at the Children's Library on 17, 18 and February 19, 2011.
Program:
Admission free. Please be punctual.
For more information: 928 806 776 / 920 805 595
Children's Library: C / La Inés 1, Arrecife (Lanzarote)
Feb. 18: at 18:00 Children's Library
Maricarmen Manoli and February 19 at 11:00 - Children's Library
Mercedes Carrión
Step By Step Instruction On How To Masterbate
Reef Counting on the island of Hierro (Canary Islands)
Within
XXI Circuit Oral Storytelling Festival "has Agüimes" I will today, on the island of El Hierro with the show's stories: With Flemish air.
I will be telling stories
Within
XXI Circuit Oral Storytelling Festival "has Agüimes" I will today, on the island of El Hierro with the show's stories: With Flemish air.
Wednesday, February 16
Time: 20:00
Exhibition Hall of the Cabildo (Valverde)
Free admission.
On Thursday 17 at 19:30 pm, storytelling Mercedes Carrión (Peru) in the Casa de la Cultura Luis Arvelo (El Pinar) What zoo family!
Friday, February 11, 2011
Best Cpu Thermal Compound
XXII Oral Storytelling Festival "has Agüimes"
in the XXII Congress of Oral Storytelling Festival "has Agüimes" on the island of Gran Canaria from 11 to 20 February 2011. Here I leave the program:
in the XXII Congress of Oral Storytelling Festival "has Agüimes" on the island of Gran Canaria from 11 to 20 February 2011. Here I leave the program:
Subscribe to:
Comments (Atom)