About
do ...
(Block ideas triggered by the meeting of 5 / 11 of arteias dedicated to thinking activity.)
The billboard Buenos Aires theater every weekend has more than 300 shows. This amount does in all cases a correlation of quality and much less public demand. Most events in the area is part of what historically was called independent theater. In this country the public was proposed alternatives to the official production and / or commercial. Either by their experimental nature, whether by the ideological profile of these productions ... it was the chance to meet other poetry, with something else.
From the 80's, witnessing the return of democracy to a flurry of productions where vibrating intensities that were taking basement or rather how much space would lead them again. The artists found ways to revisit singled through imprints such as the music-hall, variety shows, clown ... creative collective group betting devices as a way to act. The physical, the body, tempting, would practice the rudiments of an inaugural gesture after many years of imposed silence.
In the nineties (and almost as historical correction appears next step) based body rise to the word. We welcome the emergence of a new drama . On the other hand, in those years strengthened neo-liberal management. Then witnessing a depletion of the alternative. Saving exceptional which also took place during the seventies. The independent scene is not presented as an alternative. What was the name of new writing on one side and refines his irony on the other seal. That body just organized and babbling of the eighties reterritorialized remains negative, now commanded by the transposition of the banality of the media circus to the theater. Growing billboard. Breathe in the fissures, in the interstices.
It imposes a new model: instead occur at how we try to be part of any festival or tour and you will ask how much subsidy is at your fingertips ... a regrettable "revolution" productive. Growing billboard.
witnessing a significant increase in people wanting to study acting. In formal institutions for this purpose are 1000 to 600 candidates periodically. Many of them, before ending its production cycle are part of the theatrical production of Buenos Aires. Many of them, maybe two years before they entered their training, had never attended the theater. Others attended the last time to see theater and experiences were not as they seem insurmountable strength exercises for their class. Growing billboard.
The government implements a policy of subsidies. Subsidies are needed because a program of risk can not speculate, among other factors, with box office success. Then, the absence of criteria to constantly review the subsidy policy makes indiscriminate handouts. Subsidies renewed every year customer requirements demands of the bureaucratic order and not a theatrical motion instituting the challenges. Growing billboard.
is understandable that the artist done to make sense to make the theatrical in comparison with the public. It is understandable that any professional dedicated to find meaning in what you have chosen. Pose perhaps the need to review what we mean by professional status. Difficult task in the field of art. However imposing think about it because citing Brook to recognize that anything can be but that all is not anything.
We are entitled to a theater bad, boring, wrong, which becomes responsible for taking such a risk. We are entitled to a kind of theater that does not convene one or registers in the minority but as a haven for mediocrity, but as a logical consequence of a non-speculative positioning in creation. A kind of theater that is committed to its failure. We discuss before the wrong. Growing
do ...
(Block ideas triggered by the meeting of 5 / 11 of arteias dedicated to thinking activity.)
The billboard Buenos Aires theater every weekend has more than 300 shows. This amount does in all cases a correlation of quality and much less public demand. Most events in the area is part of what historically was called independent theater. In this country the public was proposed alternatives to the official production and / or commercial. Either by their experimental nature, whether by the ideological profile of these productions ... it was the chance to meet other poetry, with something else.
From the 80's, witnessing the return of democracy to a flurry of productions where vibrating intensities that were taking basement or rather how much space would lead them again. The artists found ways to revisit singled through imprints such as the music-hall, variety shows, clown ... creative collective group betting devices as a way to act. The physical, the body, tempting, would practice the rudiments of an inaugural gesture after many years of imposed silence.
In the nineties (and almost as historical correction appears next step) based body rise to the word. We welcome the emergence of a new drama . On the other hand, in those years strengthened neo-liberal management. Then witnessing a depletion of the alternative. Saving exceptional which also took place during the seventies. The independent scene is not presented as an alternative. What was the name of new writing on one side and refines his irony on the other seal. That body just organized and babbling of the eighties reterritorialized remains negative, now commanded by the transposition of the banality of the media circus to the theater. Growing billboard. Breathe in the fissures, in the interstices.
It imposes a new model: instead occur at how we try to be part of any festival or tour and you will ask how much subsidy is at your fingertips ... a regrettable "revolution" productive. Growing billboard.
witnessing a significant increase in people wanting to study acting. In formal institutions for this purpose are 1000 to 600 candidates periodically. Many of them, before ending its production cycle are part of the theatrical production of Buenos Aires. Many of them, maybe two years before they entered their training, had never attended the theater. Others attended the last time to see theater and experiences were not as they seem insurmountable strength exercises for their class. Growing billboard.
The government implements a policy of subsidies. Subsidies are needed because a program of risk can not speculate, among other factors, with box office success. Then, the absence of criteria to constantly review the subsidy policy makes indiscriminate handouts. Subsidies renewed every year customer requirements demands of the bureaucratic order and not a theatrical motion instituting the challenges. Growing billboard.
is understandable that the artist done to make sense to make the theatrical in comparison with the public. It is understandable that any professional dedicated to find meaning in what you have chosen. Pose perhaps the need to review what we mean by professional status. Difficult task in the field of art. However imposing think about it because citing Brook to recognize that anything can be but that all is not anything.
We are entitled to a theater bad, boring, wrong, which becomes responsible for taking such a risk. We are entitled to a kind of theater that does not convene one or registers in the minority but as a haven for mediocrity, but as a logical consequence of a non-speculative positioning in creation. A kind of theater that is committed to its failure. We discuss before the wrong. Growing
card. However
a kind of theater we stuck (not use the word committed) to their success. If success is so identifiable occur instrumented formulas and formulas uncritical reproduction best creation that is based on listening to the genuine needs of those who do. Ever read somewhere (I apologize for the imprecision of the appointment) to the banality that is basically what the other wants to hear. The theater that we copy what is legitimate and what to do. The billboard is growing.
legitimize legitimized and what to do , not all but many of those seeking categories of analysis for production or critical essays in academic and journalistic circles, jurors grants, awards and festivals, we recommend slightly, not we pause a minute to be honest with colleagues, we like because we think or we extend our love in a gesture of camaraderie, which do not expose our work to a debate that we deepen the questions ... The legitimacy is not a problem itself, the point is the same as the theatrical production risk is scarce, the commitment to give an account of a singular view and play. The billboard is growing.
We are entitled to a billboard even more, we are entitled to more and greater benefits, but we have the responsibility for the quality ... to stop the binge, without critical appraisal. We need to review our relationship with that elusive phenomenon that is the public. Perhaps as a way to forward them to a more uncertain. More than a trigger because it is, a being that no blockage of the abyss. The action that stimulates the ego is a face that basks in a make-blind. Paragraph
apart: Stop the hatred of the theatrical tribe. Sublimated in work: discussing the work, or at least from the front. Do not use the pulpit to harangue small unproductive that fascinates the faithful.
I want to finish this paper ... The thing is the word, of course not. Than a text: bearing frame, treat.
Now jump in thought and association:
a kind of theater we stuck (not use the word committed) to their success. If success is so identifiable occur instrumented formulas and formulas uncritical reproduction best creation that is based on listening to the genuine needs of those who do. Ever read somewhere (I apologize for the imprecision of the appointment) to the banality that is basically what the other wants to hear. The theater that we copy what is legitimate and what to do. The billboard is growing.
legitimize legitimized and what to do , not all but many of those seeking categories of analysis for production or critical essays in academic and journalistic circles, jurors grants, awards and festivals, we recommend slightly, not we pause a minute to be honest with colleagues, we like because we think or we extend our love in a gesture of camaraderie, which do not expose our work to a debate that we deepen the questions ... The legitimacy is not a problem itself, the point is the same as the theatrical production risk is scarce, the commitment to give an account of a singular view and play. The billboard is growing.
We are entitled to a billboard even more, we are entitled to more and greater benefits, but we have the responsibility for the quality ... to stop the binge, without critical appraisal. We need to review our relationship with that elusive phenomenon that is the public. Perhaps as a way to forward them to a more uncertain. More than a trigger because it is, a being that no blockage of the abyss. The action that stimulates the ego is a face that basks in a make-blind. Paragraph
apart: Stop the hatred of the theatrical tribe. Sublimated in work: discussing the work, or at least from the front. Do not use the pulpit to harangue small unproductive that fascinates the faithful.
I want to finish this paper ... The thing is the word, of course not. Than a text: bearing frame, treat.
Now jump in thought and association:
teen culture photo blog has a lot of not matter where I was or what I did if the rest did not hear. does not matter if there was a meaningful experience. No account of the frustration ...
Baja
work, nothing happened, no one came .
The billboard grows.
Another work, nothing happens, is a success, people come always the same ... we get bored.
The billboard grows.
A new release, this book is good ... is people ... The growing billboard. Billboard
: Frame in fixing the posters or advertisements ...
Guillermo Cacace
December 2007.
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