After the boom and fully achieved by the National Theatre decay occurs also coincides with the collapse of the country's constitutional progress.
The spirit grossly unfolded commercial activity brought with it the national theater movement of the Independent Theatre in 1930 that is directly inspired by the preaching of Roma Rolland. Leonidas Barletta who heads the movement aiming to "restore the theater to the people" to which to a strong affirmation "Those who think that there is no relationship between the amount of money and a work of art have no interest in a work produces money. " This group serving the art development work "without haste and without pause point star" inspire all the independent theater movement in Argentina and many other American countries.
The lack of cultural policy in the 70, 80 and 90 amount your imagination and fantasy machine when the current street lights only illuminate, with rare exceptions, a public entertainment vulgar and sad.
own house, own art, authors own independent theater again resurfaces. Those groups, authors, actors and directors without state protection to imagine and inhabit the city of theaters in places not designed or constructed for that purpose.
same absent and distracted State turns its eye to this activity when a regrettable and avoidable tragedy informs Public ineffective. Prohibits not only the music and the activities of the Cultural Centers, going for more and start a witch hunt against the small theaters, the same places "dangerous, unlicensed, illegal" used by the State itself and used for opening National Holidays and to host international festivals. No official
mea culpa does that lack of empowerment, no one explains why disregarded orders since 2000 to legalize those spaces. The city legislature took over there was no law regulating the activity. Turn the problem and look for the mote in your neighbor's eye. Weighted activity but penalize sites where. Pass laws that protect "them all" against future tragedies, but not involving architectural reality of what has been installed and the future to install.
not matter if it is a nonprofit activity intended to reverse what the State itself has never done. Culture is not profitable, therefore the investment should be made private.
The gains made by the industry - Law 156 / 99 and Law 24.800/97 Proteatro National Theater Institute to ensure that the State does not delegate its duty is not enough. The desire to comply with the Law 2147 / 07 is not enough. Their requirements are not within the economic possibilities of the Companies and under the DNU under N ยบ 1 / 07 makes us prisoners of agencies and departments, by the wrongful appointment of officials, most of which do not fall short of the charges carry.
Without answers to these problems is to enact a law in the future to enable sites to develop the activity, whose requirements can only meet those who are economically on the top of the social pyramid. This will sign the death certificate of Independent Theatres as many of the spaces that exist today should leave their homes by the indiscriminate increase of rent paid, will lose its accreditation as a pre-existing may not comply with the law for economic investment they require and they can not cope - because the future is now -.
Those few who can actually reach the goal of building a new place will be subject to inspection before waiting to be cleared and able to work but as evidenced by history perhaps ten or twenty years to achieve some result (provided that a new tragedy or any officer not change the laws or standards).
The proximity of the completion of legal coverage that covers the NUD us No. 1, lack of funds to comply with Act 2147, the enactment of a new law to the theaters in the future, the ongoing inspections various agencies without any criteria, bad records carved and permanent blindness of State certifies us to believe that not only the Independent Theatre is not on the agenda of this government but is willing to destroy.
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