Jcpenney Chi Hair Straighteners

Press Proteatro by increasing the budget.

Then attach the statement sent Proteatro for broadcast.


Many thanks.
arteias, Argentina The Independent Theatre Association

To adhere to respond to:
proteatro@buenosaires.gov.ar
------------------------ -------------------------------------------------- PRESS

-------- Proteatro
BUDGET INCREASE

The February 25, 1999, the Act 156/99 in order to protect, promote and encourage the Autonomous City of Buenos Aires's Teatro in all its forms.
This statement must validate the budget update
concerned. Creating Proteatro
was the corollary of an uphill battle for restitution of the sector. This Institute has been characterized over the past eight years for its transparency and conduct remote management from political influence.
anticipation of possible interpretations, explaining that the enactment of the Private Promotion of Culture, is a breakthrough, should complement but not replace the role of government, carried out by institutions such as Proteatro. This happens in all countries with similar laws, which served as a model for
CABA Executive Director and the Board believe that enacted the law 156/99 is not a fact which constitutes an end in itself, but carries the responsibility not empty of content.

hope that the legislators understand the need to give Proteatro a budget commensurate with the significance of theatrical activity, which distinguishes and prioritizes the City of Buenos Aires. Lovero Onofre
Executive Director, Managing Director Fernando Salvati, directors Carcavallo Francisco, Enrique Dacal, Gabriela Lerner, Mauritius Minetti, Dora Prince, Rock and Nestor Cora Sabatini


Adhere: Ruben

Szuchmacher-Laura-Ricardo Bartis, Cristina Banegas Yusem - Roberto "Tito" Tolcachir-Thing-Claudio Dora Baret, Graciela Araujo, Matías Gandolfo-Yeni-Felisa Kogan Diego-Juan Carlos Gene-Carlos Ianni, Alejandro Samek-Guillermo Cacace-Oscar Ferrigno-Silvia Copello-Country-Roberto Carlos-Roberto Castro Perinelli Roxana Grinstein, Saul Cherro-Juliet-Carlos Alfonso Nicastro-Omar Pacheco-Clara-Bernardo Pando Carey, Marta Teresa Degracia-Jackiw-Hector-Derlien Oliboni Susana Prada, Alicia Santillan Braun Leloutre-Gonzalo Martinez, Carolina Jimenez-Balbi, Percy Marcelo Katz, Jorge Alberto Felix Alberto, Silvia Capussotti Oleksikiw-Fernando Conte, Laura Marie Cipolla Morea-Gaston Javier Rodríguez-Gago Bertha Goldenberg-Noralih-Juan Ignacio Parodi Gatty Olivweros-Norma Beatriz Teresa Sarrail-Leonardo Odierna-Carlos de Urquiza, Adrian Di Stefano, Marcela Resnisky Fraiman-Carina-Dario Durban Hector Lastra Dam-Laura-Walter Velásquez-Marna Vallini-Griselda-Constanza Galarza, Ruben Bitthoff Rosseti Sabadini-Leandro-Dalila-Cazabat Antenzon-Diego-Valeria Julieta Fassone Casielles-Liliana Weimer-Carlos Humanitarian Carlina Cipolleta Daniel Fernando Bustamante Lorraine Snor Becar Rugueiro-Alejo, Bob Carr, Daniel Di Coco-Miguel Vega-Dania Rasuck Valiela-Paul-Marc Marcolin, Hugo Alvarez-Natan-Ruben Cursnir Santagada-Daniel Genoud, Emilio Gutierrez-Lindor Versan-Ines Saavedra, Ricardo Merkin - Roxana Randon-Roppi-Hector Fabio Giovine, Virginia Lake-Ana Franchini-Ruben Sabadini, Liliana Moreno-Mercedes Frilair-Pablo De Nito-Silvia-

Oleksikiw

and continue to follow signatures

Pet Store Cover Letters

Brief History of the Independent Theatre in Buenos Aires

Some historians place his birth in 1930 of the hand of Leonidas Barletta and the founding of the Teatro Del Pueblo. Followed including Teatro IFT (1932), Cortina (1937), The Mask, Free Theatre, Shed (1939), Fray Mocho (1951), the Independent Theatre (1952). That legendary independent theater was active as an alternative to both formal scene, especially the commercial scene. Much of the population, opposition to government policies found in the halls of the independent theaters channels of participation and expression.
This movement is rapidly developing to the '60s in which various problems came to appear in theaters within hatching ago: professionalization of the actors, the rise of TV, the theater's development officer with the inauguration of the Teatro San Martín in 1960. All of this is compounded by the slow but steady dismantling of the movement's main strength: the relationship between the existence of a group of people and a certain space. This relationship was a sense of belonging to the activity begins to be posed differently: circumstantial groups working in rooms that work temporarily.
mid-70s with the advent of the brutal dictatorship movement seems to retreat due to constant threats, however, the activity moves almost clandestinely in theater studies located in neighborhoods away from downtown.
The need to remove the visibility of the activity caused many artists began working in studios created in older homes, in places without signs denouncing the activity, etc.. The insecurity is so great that it breaks with conventions and the criticism, the central location of the chambers, fixed stage, seats still ... we lived in a state of alert and mobilization, they could not fix a particular space ... Anywhere you can do theater.
In those dark years arises from the Independent Theatre was a cycle in the history of those years as the largest cultural response against dictatorship, "Open Theater, where actors, directors, set designers, playwrights, costume designers, lighting technicians and musicians accompanied by a large public response, join in a tough challenge to the dictatorial regime.
Today, more than 180 rooms form the independent theater circuit in the City of Buenos Aires. As diverse buildings, originally intended for other destinations: from the typical sausage house, storage shed, small shops to factories and industries were transformed to house the efforts of independent artists.
A room or group of independent artists is composed always foundational project priority in the artistic and more or less emphasis on ideological, social or ethical. The objectives then are not aimed at the commercial but the survival of the space or group, production and distribution of entertainment in all its forms, the social distribution of cultural property, not personal income of its members. Each room or group defines a language, an aesthetic and a production model that distinguishes him in the big picture and it strengthens the diversity that characterizes the movement.
independent theaters are small spaces, mostly for no more than 100 spectators, almost none survive from their box office revenues This requires a constant search for alternative sources and, especially, the contribution of its own members.

The independent theaters and their diversity, fundamental feature in recent years have witnessed an almost explosive development becoming the provider of the highest number of shows, from dance and theater works, musical concerts, exhibitions, art cinema, etc., employing nearly 80% of "cultural agents" of the country.
these spaces and also constituted the main focus for the training of actors, directors, playwrights, set designers, costumers, technicians, musicians, artists, photographers, dancers today not only nourish the commercial and official channels but also film and television.
For all this, and considering that in the 180 rooms are offered over 300 performances a week, the independent theater movement is a unique phenomenon in the world so that the City of Buenos Aires will be declared by UNESCO "Capital Theatre English speaking "it is necessary to protect and stimulate thinking about the permanence of these spaces that are an invaluable heritage arduous and painstakingly accumulated to over a century.

Bangbros Online Freee

A little history and a part of today

After the boom and fully achieved by the National Theatre decay occurs also coincides with the collapse of the country's constitutional progress.
The spirit grossly unfolded commercial activity brought with it the national theater movement of the Independent Theatre in 1930 that is directly inspired by the preaching of Roma Rolland. Leonidas Barletta who heads the movement aiming to "restore the theater to the people" to which to a strong affirmation "Those who think that there is no relationship between the amount of money and a work of art have no interest in a work produces money. " This group serving the art development work "without haste and without pause point star" inspire all the independent theater movement in Argentina and many other American countries.
The lack of cultural policy in the 70, 80 and 90 amount your imagination and fantasy machine when the current street lights only illuminate, with rare exceptions, a public entertainment vulgar and sad.

own house, own art, authors own independent theater again resurfaces. Those groups, authors, actors and directors without state protection to imagine and inhabit the city of theaters in places not designed or constructed for that purpose.

same absent and distracted State turns its eye to this activity when a regrettable and avoidable tragedy informs Public ineffective. Prohibits not only the music and the activities of the Cultural Centers, going for more and start a witch hunt against the small theaters, the same places "dangerous, unlicensed, illegal" used by the State itself and used for opening National Holidays and to host international festivals. No official
mea culpa does that lack of empowerment, no one explains why disregarded orders since 2000 to legalize those spaces. The city legislature took over there was no law regulating the activity. Turn the problem and look for the mote in your neighbor's eye. Weighted activity but penalize sites where. Pass laws that protect "them all" against future tragedies, but not involving architectural reality of what has been installed and the future to install.
not matter if it is a nonprofit activity intended to reverse what the State itself has never done. Culture is not profitable, therefore the investment should be made private.

The gains made by the industry - Law 156 / 99 and Law 24.800/97 Proteatro National Theater Institute to ensure that the State does not delegate its duty is not enough. The desire to comply with the Law 2147 / 07 is not enough. Their requirements are not within the economic possibilities of the Companies and under the DNU under N º 1 / 07 makes us prisoners of agencies and departments, by the wrongful appointment of officials, most of which do not fall short of the charges carry.
Without answers to these problems is to enact a law in the future to enable sites to develop the activity, whose requirements can only meet those who are economically on the top of the social pyramid. This will sign the death certificate of Independent Theatres as many of the spaces that exist today should leave their homes by the indiscriminate increase of rent paid, will lose its accreditation as a pre-existing may not comply with the law for economic investment they require and they can not cope - because the future is now -.
Those few who can actually reach the goal of building a new place will be subject to inspection before waiting to be cleared and able to work but as evidenced by history perhaps ten or twenty years to achieve some result (provided that a new tragedy or any officer not change the laws or standards).

The proximity of the completion of legal coverage that covers the NUD us No. 1, lack of funds to comply with Act 2147, the enactment of a new law to the theaters in the future, the ongoing inspections various agencies without any criteria, bad records carved and permanent blindness of State certifies us to believe that not only the Independent Theatre is not on the agenda of this government but is willing to destroy.

Tactical Watches Military Grade

Theatre LA CARBONERA

Balcarce 990/998. Capital Federal Phone

4362-2651
lacarbonera@hotmail.com

The room capacity is 80 to 120 people.

Space stage is flexible and can be located
front, center or longitudinal, with two levels of staging, the above +2.50 m.

Matsuda 2809 For Sale

Theatre THE COAL SUPPLY Theatre Theatre

Theatre ORPHEUS

Luis Maria Campos 1375-1 ° "4."

Federal Capital. 4786-6569

enters To know http://www.teatroorfeo.blogspot.com/

How To Masterbate Women

ORPHEUS CLUB SOCIAL FOOTPRINT

Theatre SOCIAL CLUB SUPPLY

Humahuaca 3649 tel. 4862-7205. Federal Capital

abastosocialclub@fibertel.com.ar
http://www.abastosocialclub.com/

Theatre and Music Hall.

Bar downstairs and patio - back yard.
The room capacity is 80 people. The stage is 12 x 8 m and 5 m tall, versatile space that allows for different performances.








The room is on the first floor and
equipment has sound and lighting, heating and air conditioning
,
dressing rooms with bath.

Suggested Receipes For Overactive Thyroid

FOOTPRINT Theatre, ART CLUB

Medrano 535 Capital Federal

phone

4865-4167

To learn more about this room enters
http://www.huellateatro.blogspot.com/

Pre Seed Lubricant Malaysia

Theatre Theatre Theatre BOEDO South XXI

Teatro XXI BOEDO
Boedo 853.

Capital Federal Phone: 4957-1400

boedoxxi@hotmail.com

boedoxxi@gmail.com

theater.

The room capacity is 60 people.

The Italian scenario is 5 x 4.5 m. The room also

to work at the floor.

Letters To Penthouse Read Online

ndación Fu Theater South

Venezuela 2255 Capital Federal Phone

4941-1951 www. teatrodelsur.blogspot. Com

Theatre and Dance Hall theater.
Bar and Art Gallery.

The space has two rooms:

Area 1: Capacity for 63 viewers .

the Italian Stage 8 x 8.30 m,

wooden floor with camera.

have shoulders 4 m. widely used.

Area 2: Area wood with stage 4 x 3 type song

bar and 80 seats

located in chairs around tables.

Room 1

.

Pain On Both Sides Of Stomach

Theatre AISLE

Colombres 35.

Capital Federal Phone: 4961-5167
delpasillo@fibertel.com.ar

www.delpasilloteatro.com.ar

Theater Room Exhibitions Library

adults and children

The room capacity is 97 visitors.

The Italian scenario 4x7 mts.

Examples Of Telephone Service

Hall Theatre Teatro Del NoAvestruz Theatre Theatre

NoAvestruz
Humboldt 1857. Palermo

NoHollywood. Federal Capital

Phone: 4777 - 6956
hola@noavestruz.com.ar

http://www.noavestruz.com.ar/

Chamber Music Theatre and Exhibition

Painting & Pictures / Gallery of art objects has
Buffet - kitchen during the musical programming

Film / Cycles

projections

The room capacity is for Theatre and Music 60 viewers, 80 spectators.

The room dimensions are 12 x 8 x 5 mts.
floor cement. White worm back wall.
Scenic Area: variable according to the setting.
The space is equipped with mobile stands, Puffs, low tables and cubes.
The aesthetic criteria of the space is paid by the room.

Sebaceou Cyst On A Dog

Elkafka theater space
Lambaré 866 - Capital Federal
TE / Fax: 4862-5439
elkafka@netizen.com.ar
www.elkafkaespacioteatral.blogspot.com

The room capacity is 96 visitors. Chamber
mobile harrow, adaptable to various forms of organizing space.
Room dedicated to exhibit and produce theatrical and dance events.
Board created in June 2004, is run by a cooperative composed by: Fernando Berreta, Daniel Brard, Gabriel Cabrera, Mabel Crescente, Ruben and Paula Szuchmacher Travnik.

What Color Pants To Wear With A Purple Blue Shirt

ELKAFKA CELCIT

Theatre CELCIT

Moreno 431. Federal Capital

Phone: 4361-8358.

http://www.celcit.org.ar/ correo@celcit.org.ar

theater.

will have the capacity for 120 spectators. Begin operation in March 2008

Monster Energy Drink Fridge

Theatre Teatro La Galera Encantada

THEATRE
THE HAUNTED WAREHOUSE Humboldt 1591. Federal Capital

efonica Tel: 4771.9295

info@lagaleraencantada.com.ar
www.lagaleraencantada.com.ar


theater room capacity is 100 spectators.
The stage is 6 x 6 meters at ground level with carpeted stairs

How Much Does Hospice Cost

VERAVERA

Theatre VERA VERA Vera

108. Federal Capital

Phone: 4854-3655

www.veraverateatro.wordpress.com

veraverateatro@gmail.com

theater and music room

The room capacity is of 50 spectators.

The scenic area is 7 x 6 m.,

configurable in different directions as needed

staging of the play.

Job For Master Mariner

PAYRE

PAYRE Theatre San Martín 766

Capital Federal Tel / Fax: 4312-5922
teatropayro@sion.com

An independent entity established in 1952.
Nongovernmental, noncommercial use.
A space and a cooperative working
theater serving the art and culture of our country.

Directors:
Felisa Yeni / Diego Kogan / Marta Soriano

theater room capacity is 121 spectators
the Italian Stage 10 x 5 mt.

Watch Rockman Exe Stream

Theatre Theatre Theatre

HOST Theatre
Venezuela 3340.

Capital Federal Phone: 4931-2124
tanfitrion@ciudad.com.ar
www.anfitrionteatro.com.ar

theater, dance and music.

The Theatre has two rooms and a hall of Cafe-Concert:

Blue Room:
The capacity is 80 visitors.
The stage is 6, 30 x 8 m and 5.10 m.

high on smooth cement floor, which varies depending on the setting.
grill lights covering the entire surface of the room.

Green Room:
Scenic Area variablesobre floor cement.
capacity of 40 spectators.

Foyer - Café concert
The capacity is 50 visitors.
bar, tables, chairs, lighting, sound, stages.

Buying A Platypus America

HOST THE PATIO theater

Teatro La Tertulia Gallo

826. Federal Capital.

Phone: 6327-0303

latertulia@2vias.com.ar
http://www.latertulia.on.to/

room theater and dance.

Hall for Gatherings.

Exhibitions. Workshops. Air conditioning Bar
.

The room capacity is 50 visitors.

The stage is 8 x 5 m and 4.5m high, with wooden floor
.

Dell No Supported Camera Detected

TERTULIA

Theatre ACTORS PLAYGROUND
Lerma 568.

Federal Capital.

Phone: 4772-9732
patiodeactores@fibertel.com.ar

Artistic Direction: Laura Yusem and Pando Clara

theater.

The room capacity is 50 visitors.

The stage is 7 x 8 m.

Held regular courses of acting and stage direction.